Acquired from Duchamp c. 1945 - 1959 Madame Roché (Henri-Pierre Roché's widow), Paris. 1959 – [c. 1963] Cordier & Ekstrom, NY. [Likely acquired from Mme Henri-Pierre Roché, c. 1963] Mary and William Sisler, New York, N.Y. and Palm Beach, Florida. [Acquired from Roché through Cordier & Ekstrom], by 1963 – 1990 The Museum of Modern Art ...
Fig. 5. 'The Folk Musicians', montage painting, 44 x 56 in., 1967. (Collection of Cordier-Ekstrom Gallery, N. Y.C.) Braque and Leger is its primary emphasis on the essentials of structure. Nevertheless I also find that for me the Cubism of these masters leads to an over-crowding of the pictorial space. This accounts for
So far as is known, there were only two takers: the National Gallery of Canada, and the Cordier & Ekstrom Gallery in New York. The Canadian purchase took place through the efforts of Brydon Smith, Curator of Contemporary Art at the museum. In 1970, Smith approached Schwarz with an interest in purchasing the entire set of readymades, but ...
Daniel Cordier, pour l'art et pour mémoire (3/5) : retrouvez l'actualité analysée et décryptée dans les articles de la rédaction de France Inter.
Founded in 2009 by Don C and Virgil Abloh, RSVP Gallery has been a driving force at the intersection of streetwear, high fashion and pop culture. Found inside – Page 75Duchamp invited about two dozen artists to participate in the exhibition at Cordier & Ekstrom Gallery, including Warhol. As each artist returned the RSVP ... For our inaugural #TBT feature we take a look back at Future's ...
Cordier & Ekstrom Gallery, N.Y one-person show 1972 Cordier & Ekstrom Gallery, N.Y one-person show 1971 M.F.A. Thesis Exhibition, Yale University, New Haven Conn. 1969
After a middle‐class Harlem child hood (his mother, Bessy Bear den, was New York corre spondent for the black news paper, The Chicago Defend er), …
Isamu Noguchi, Cordier & Ekstrom, Inc.,New York, April 2, 1963 - April 27, 1963; Dorothy C. Miller: With an Eye to American Art, Smith College Museum of Art, April 19, 1985 - June 16, 1985; Noguchi and the Figure, Museo de Arte Contemporáneo de Monterrey, …
A little over a year after Pasadena, the same ritual took place: a show opened at the Cordier & Ekstrom Gallery in New York and an unknown man entered. (1) Philippe Bruno, more of a groupie than an art collector, had cut out all newspaper reviews of the show and …
Cordier & Ekstrom Gallery, New York, NY. 1978 Cordier & Ekstrom Gallery, New York, NY. ... Art for Learning: A celebration of the Art Projects Commissioned during N.Y.C. Board of Education's 1990-1994 Capital Plan, The Urban Center, New York, NY. Dump Dump, An Exhibition to Protest the Storage of Nuclear Waste on the Mescalero Apache ...
Richard Lindner (1901-1978) Three Und signed, inscribed and dated 'R. LINDNER N.Y. 1969' (lower right) graphite, colored pencil, ink and watercolor on paper
Richard Lindner (1901-1978) (Untitled) signed, inscribed and dated 'R. Lindner N.Y. 1969' (lower right) watercolor and graphite on paper
The second set of readymades ended up in an even more unlikely institution: the Art Museum of Indiana University in Bloomington, Indiana. In 1971, Thomas T. Solley, director of the museum, was approached by Arne Ekstrom, owner of the Cordier & Ekstrom Gallery, through which Solley had made various purchases over the years.
Cordier & Ekstrom (New York). "Homage à Caissa." Rooftop party and release of David Hare's balloons. Photos by Budd (New York, N. Y.). See Also: Alexina and Marcel Duchamp Papers / VII. Ephemera / f. Cordier & Ekstrom. "Hommage à Caissa." Exhibition poster and envelope.
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Allan D'Arcangelo was born in 1930, in Buffalo, New York. He studied at the University of Buffalo from 1948–1953, where he received his bachelor's degree in history. After college, he moved to Manhattan studied at the New School of Social Research and the City University of New York, City College. During this time he encountered the work of the Abstract Expressionist painters who were in ...
Isamu Noguchi, Cordier & Ekstrom Gallery, New York, November 4–28, 1970. 1968 Noguchi: Shapes of Light, Cordier & Ekstrom Gallery, New York, December 1968–January 1969.
(1961–1962), followed by Cordier & Ekstrom (1962–1966). During the decade of his gallery involvement, he was at times the dealer of Hans Bellmer, Jean Dubuffet, Matta and Henri Michaux, as well as having a significant relationship with Marcel Duchamp.
Marcel Duchamp Exhibition Records 1967-1993, n.d. Finding Aid Philadelphia Museum of Art Archives P.O. Box 7646 Philadelphia, PA 19101-7646 Telephone: 215-684-7659
Alexina and Marcel Duchamp Papers ca. 1886-1990, n.d. Finding Aid Philadelphia Museum of Art Archives P.O. Box 7646 Philadelphia, PA 19101-7646 Telephone: 215-684-7659
This finding aid was prepared by Rachel E. Greer in Microsoft Word at the Grolier Club, July 2012 with additions in May 2014 and October 2015. This collection was donated by Bert Clarke's wife, Muriel Clarke, in August 2011, with subsequent donations in 2012, 2014 and 2015. Grolier Club. Publications.
unveiled them at the New York gallery Cordier & Ekstrom in solo shows in 1964 and 1967. They were almost instantly acclaimed. They were both formally innovative and fraught with the signal event of their era: the civil rights movement. These magnificent collages preoccupied Bearden for the rest of
1970-1978, n.d. Scope and Content Note. General correspondence primarily from and to the Philadelphia Museum of Art, but also The Museum of Modern Art (co-organizer of the exhibition) and The Art Institute of Chicago (third venue of the exhibition).
New York. [Likely acquired from Pierre Matisse] Mrs. William Sisler (Mary Sisler), New York, N.Y. and Palm Beach, Florida. Purchased from Cordier & Ekstrom, 1964 – 1970 The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund and gift of Mrs. William Sisler, 1970
16. The latter wrote me from Lima (August 24, 2000): "All of the photos and all of the documents that I had concerning my relationship with Marcel Duchamp (which included a L.H.O.O.Q. Shaved, an invitation to a private preview at Cordier & Ekstrom) were stolen in Miami when I …
Series 1: The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from
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